The present paper revisits the famous typology outlining possible relationships of Christians to culture, as outlined by H. Richard Niebuhr in his Christ and Culture. It seeks to draw upon some particular insights from the critical discussion in order to propose a constructive application of Niebuhr's categories in today's theology of culture. Contending that Niebuhr's typology is best understood in terms of mutually non-exclusive motifs and that culture is to be perceived as a web of multiple perspectives and orientations, the article argues for the use of the so-called praxis matrix as a complementary method which enables one to get a more comprehensive and nuanced understanding of Christians' relationship to and engagement with their particular culture(s). As such, it aims to establish a hermeneutical framework for a theology of culture which would be contextually relevant, ecumenically open, and flexible to deal with various issues.

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NIEBUHR'S TYPOLOGY RECONSIDERED:

READING CHRIST AND CULTURE THROUGH

THE LENSES OF THE PRAXIS MATRIX1

Pa vol Barg ár  Pra gu e



When H Richard Niebuhr dehvered a SCTICS of lectures at Austin Pres-

byterian Theological Seminary m January 1949, there were probably

very few people who presumed that Christ and Culture, the book that

the original lectures formed the basis for, would come to be a classic 2

Jndeed, even after more than sixty years since It first appeared, Christ

and Culture remains on the list of re tired reading at innumerable uni-

versifies and seminaries around the globe Moreover, the book IS still

a sutyect of intense and lively discussions and endeavours in the aca-

demie world To give but a few examples, there was an expanded 50th

anniversary edition of the book with a new foreword by Martin Marty

and a new preface by James Gustafson ٩ In addition, a significant part

of one of the issues of the Journal o f the Society o f Christian Ethics

was dedicated to a reassessment of Niebuhr's book, bringing together

a number ofleading Christian theologians from various backgrounds 4

Furthermore, there are a significant number of book-length studies

   

                    1  

    

      

   C hrist an d Cu lture,       

                    

     

    

   Jo urna l

 the So ciety

 Chr istian E thics     

  

  



NIEBUHRSTYPOLOGY RECONSIDERED READING CHRIST AND CULTURE THROUGH THE LENSES

written in order to re¥ s t, critique, and build upon Niebuhr's proposal 5

Last but not least, numerous articles on the theme draw from and use

Niebuhr's insights and methodology in fields and topics as varied as

sociology of religion,^ contemporary Russian Orthodoxy,7 Christian

heavy metal subculture,^ Christian ministry in African American com-

munities^ or Christianity in the South African apartheid society.^ It

 needless to add that constructive treatments of Niebuhr's book go

almost without exception hand in hand with critical reception thereof.

^lie present paper seeks to draw upon some particular insights from

the critical discussion in order to propose a constructive application

of Niebuhr's categories in today's theology of culture Contending

that Niebuhr's typology is best understood in terms of mutually non-

exclusive motifs and that culture  to be perceived as a web of multi-

pie perspectives and affiliations, the article argues for the use of the

so-called praxis matrix as a complementary method which enables

a more comprehensive and nuanced understanding of the relationship

of Christians to and engagement with their particular culture As such,

It aims to establish a hermeneutical framework for a theology of culture

which would be contextually relevant, ecumenically open, and flexible

to deal with various issues. However, before doing that, I will first

briefly introduce Niebuhr's book as well as mator points of criticism



                  

  Au thenti c Trans formati on A New Vi sion of C hrist an d C ulture ,

       

      Re thinkin g Chri st a nd Cultu re A Post -Chr isten dom

Pe rspe ctive ,                Chr ist and

Cultu re Re visited,            

 

             Ch rist a nd Cult ure



Ο φ ο -

mo so J ourn al o f Theo logy      

           

      Jo urna l o ft he S ocie ty of Christian Ethics      

  

                 

                 Ch rist and C ul

ture ," Jou rna l ofR elig ion & Soci ety        

                Chr ist and

Cult ure         J ourna l of th e Soc iety o fCh rist ian

Eth ics       

             J ourna l o fT he olo gy fo r

Sou thern Afri ca      

PAVOLBARGÁR



"A many-sided debate about the relations of Christianity and civiliza-

tion IS being carried on in our time."11 This IS the opening sentence of

the book which also very clearly indicates the subject that the author

seeks to deal with. Writing in the wake ofWorld War II when the hor-

rors of Nazism and the Shoah were shockingly fresh and a new threat of

 communism and the life under the shadow of the atomic

bomb were imminent, Niebuhr seeks to join the emerging discussion

on "how to build a civilization free from prejudice, intolerance, and

totalitarianism "12 George Marsden argues that Niebuhr's prime moti-

vation for writing the book was a response to "cultured despisers of

Christianity [who] say, in effect, that civilization IS the supreme value

and that Christianity IS essentially a threat to Its health."^ This seems

to be a assessment as Niebuhr indeed and discusses

a number of charges that these cultural despisers1* bring against Chris-

tianity, including a contempt for the here and now and a focus on the

hereafter, the belittling of human achievement at the expense of God's

grace, intolerance, the irreconcilability of Christ's forgiveness with the

demands of justice, the incompatibility of the injunctions of the Ser-

mon of the Mount with the duties of life in society, the exaltation of

the lowly at the expense of "aiistocrats and Nietzscheans", and "the

unavailability of Christ's wisdom to the wise and prudent."^

In his book, then, Niebuhr strives to show that Christian responses

and relationships to civilization and culture^ are much more diverse

  Chr ist an d C ulture 

              Dir ecti on 

         

                

Insig hts The Fac ulty Jo urn al of Au stin Se mina ry        

   

          

                    

     

    

           Ch rist an d C ulture  

  Chr ist a nd Cultiue  

   Ch rist a nd Culture     





NIEBUHR'S TYPOLOGY RECONSIDERED: READING CHRIST AND CULTURE THROUGH ?HE T.ENSES

and complex than the aforementioned charges levelled against it are

willing to admit. Therefore, the central ،question Christ and Cut-

ture poses is about, to quote Marsden once more, "how Christians

should relate to their surrounding eulture".^ Niebuhr himself dubs

this relation as "foe enduring problem" and states unequivocally that

"foe repeated struggles of Christians with this problem have yielded

no single Christian answer, but only a series of typical answers."^ He

goes on to say that "[i]t is foe purpose of the following chapters to set

forth typical Christian answers to the problem of Christ and culture

and so to contribute to the mutual understanding of variant and often

conflicting Christian groups.''^ Employing foe typological method,^

Niebuhr then categorizes foe multiplicity of Christian responses to the

"enduring problem" into five ideal-types. To these we shall now turn

our attention.



Niebuhr calls his Type I "Christ Against Culture" and posits that it is

"foe one that u n^promisin g ly affirms foe sole authority of Christ

over the Christian and resolutely rejects culture's claims to loyalty."^

The gospel is seen as the new law, calling Christians to holiness and

separation from foe world. As Niebuhr puts it, "[t]he counterpart of

loyalty to Christ and foe brothers is the rejection of cultural society;

a clear line of separation is drawn between foe brotherhood ofthe chil-

dren of God and the world."^ Type I is, therefore, the separationist

or rejectionist model, putting "Christ" and "culture" in opposition.

Historical representatives include, according to Niebuhr, Tertullian,

Benedictine monks, Mennonites, Quakers and Leo Tolstoy.

   

 Chr ist a nd Cult ure 

   C hrist a nd Cultu re 



                 

        A uthe ntic T ransfo rmati on,       

    

   Chr ist a nd Cultur e 

  Chr ist a nd Cul turey   

PAVOLBARGAR

In contrast, representatives ofType II "feel no great tension between

church and world, the soctal laws and the Gospel, the workings of

divine grace and human effort, the ethics of salvation and the ethics

of social conservation or progress.''^ This type, called "Christ of Cul-

ture", thus represents the assimilatiomst or accommodationist position.

However, that does not mean that these Christians would simply sur-

render to surrounding culture, accepting It as a whole. Quite the

contrary, Niebuhr reminds his reader that Type II Christians empha-

size the "ideal" in that culture, finding no major disagreement between

this ideal and essential Christianity.^ They are, therefore, able to "hail

Jesus as the Messiah of their society, foe fulfiller of Its hopes and aspi-

rations, the perfecter of its true faith, the source of Its holiest spirit "25

Niebuhr gives early Gnostics, ?eter Abelard, Thomas Jefferson and

Albrecht Ritschl as examples of this type

While foe two previous types can be described as extreme posi-

tions or the poles ot the spectrum, foe remaining three types stand for

mediating positions, representing "[t]he great majority movement m

Christianity, which we may call the church of the center".^ Type ¡II,

"Christ Above Culture," maintains a synthesis between Christ and cul-

ture. It views culture as both divine and human, both holy and sinfiil,

and as such It needs grace to be completed. Christ comes from above

with "gifts" that humans can never provide oftheir own to attain perfec-

tion. Niebuhr discusses Clement of Alexandria and Thomas Afin as

as examples of this type.

Although proponents ofType IV, "Christ and Culture in ?aradox,"

similarly to Type 111, also seek to "do justice to the need for holding

together as well as for distinguishing between loyalty to Christ and

responsibility for culture," they are acutely aware of permanent con-

flict between God and humans, or between Christ and culture. Due to

the pervasive effect of sin the latter IS corrupted and must therefore be

kept within appropriate boundaries. Therefore, the Type IV (or dual-

st) Christian lives a life of paradox, realizing that "[h]e IS under law,

and yet not under law but grace, he IS sinner, and yet righteous; he



  Christ an d Cu ltur e

 

      1 1   

   Chri st an d Cu lture,  

   Chr ist a nd Cult ure  



NIEBUHRSTYPOLOGY RECONSIDERED READINGCHRIST AND CULTURE THROUGH THE LENSES

believes, as a doubter, be has assuranee of salvation, yet walks along

the knife-edge of insecurity"^ As ?eter Gathje interprets this posi-

tion, "[t]hs type sees a duality in which culture has a legitimate place

in Christian life, but that place IS not the Christian's heart or church, m

those places Christ must rule "28 The most prominent representative IS

Martin Luther, others include S0ren Kierkegaard and Roger Williams

F1m111y,Ty^V,wh1ch Niebuhr calls 4'Christ the Transformer of Cul-

ture," represents the conversionist position The conversiomsts differ

from the dualists in their "more positive and hopeful attitude toward

culture" 29 However, this stance IS not an expression of arbitrary opti-

mism or naivety, but IS firmly rooted, as Niebuhr maintains, in three

theological convictions, namely, the creative activity of God in his-

tory, human nature as corrupted and in need of transformation, yet not

"bad", and the view that "to God all things are possible in a history

that IS fundamentally not a course of merely human events but always

a dramatic interaction between God and men "3° As a conse،؛uence.

Type ٧ Christians believe in the possibility of transformation of this

reality, including culture, here and now Some of foe representatives

that Niebuhr names ¡nclude Augustine, John Calvm, and F D Mau-



Several scholars have noticed that Niebuhr examines all types in

relation to some traditional theological issues In this respect, Diane

Yeager provides a helpful chart in which Niebuhr's types are analyzed

according to SIX categories 1) reason and revelation, 2) nature and

grace, 3) sin and foe good, 4) law and gospel, 5) views of history, and

6) church and "world" 31 While the first four categories are employed

by Niebuhr himself m Christ and Culture, foe last two are added by

Yeager as useful She maintains that the SIX categories (and possi

   Chr ist a nd Culture

 

              

Chr istian Cent ury          

  Chr ist an d C ultur e  

           C hri st

Cultu re,       

  i b id   

         Chri st a nd Cultu re      

          The Oxford Han dboo k of Th eolo gica l E thics

      



  

       

PAVOLBARGÁR

bly some others) might help to make Niebuhr's models more concrete

when used to explore the relationship ot various Christian individuals

and communities to their culture Douglas Dttati then shows a practical

example for the use of these categories in his exploration of liberation

theology. In particular, he uses a Niebuhrian analysis to read A The-

ology ofLiberation by Gustavo Gutierrez Employing the dialectical

categories of sin and the good, law and gospel, and God and world,

Gttati shows that Gutierrez's theology, with Its accent on the God of

the Bible as the God ot history and ot (political) liberation and on Jesus

as one who embodies a new humanity, IS likely to be inclined to Type

I I 32 To my mind, such an approach can help produce a more compre-

hensive picture of the relation between "Christ" and "culture"

Similarly to Yeager and Ottati, Gordon Lynch in his book on the-

ology and popular culture argues that Niebuhr's model IS helpfiil in

identifying what he calls "core issues and different perspectives in the

theology of culture "33 These "core issues", according to him, include

the (questions of whether or not culture can be a force for goodness and

truth, how truth IS revealed to humans, whether involvement in cultural

endeavours can be viewed as a "creative opportunity, duty, or threat",

and whether or not culture can be changed constructively34 However,

Lynch IS at the same time well aware of the limited use of Niebuhr's

model for detailed analysis and constructive dialogue between theol-

ogy (or "Christ") and culture 35 Such acknowledgment leads us to foe

next section which discusses various criticisms that Christ and Culture

has evoked

    Ch rist a nd Culture     

Jo urna l o f the Soc 1 e t\ o f Ch ristia n Ethi cs                 



                

      

   Un derstanding Theo logy and Pop ular Culture      

      

   Unde rstan ding Theo logy an d Po pula r Culture,   

   U nder standing The olog y an d Po pula r Cult ure   



NIEBUHRSTYPOLOGY RECONSIDERED READING CHRIST AND CULTURE THROUGH THE LENSES



Although Christ and Culture has certainly been highly influential in

various circles. It nevertheless has not escaped substantial and often

fierce criticism 36 In addition, there have also been constructive pro-

posais to "save Niebuhr's categories''.^ The following part will dis-

cuss some of the mam points of criticism as well as those constructive

proposals.

First, Niebuhr has been criticized for holding an inadegate Chris-

tology. He defines "Christ" as follows:

 

  

    

 

   

Such a Christ thus effectively stands in opposition to culture, lead-

mg people away ftom their earthly existence and pointing towards an

unspecified transcendence 39 Moreover, such a Christ stands in opposi-

tion to foe Jesus of the Gospels, a first-century Falestiman Jew of flesh

and blood, who was very much rooted m his own culture.^ Yoder



                      

                             

   Ch rist and Cu lture              

Re side nt Ali ens L ife in the Chri stian C olo ny,       

                     

                        

     

      C hrist a nd Cultu re     

    

        Chr ist and Culture              

               

 

                  

      Chr ist a nd Culture ,        

      



  



  Chr ist



Cult ure

 

    Chr ist an d C ultu re  

                 

                         



PAVOLBARGÁR

argues that Niebuhr's Christ IS a moralist, but uot Lord.41 Interpret-

ing Yoder's critique, Craig Carter goes even further when he accuses

Niebuhr of promoting modalism with regard to the Trinity. He says

explicitly: "Nevertheless, in Christ and Culture Niebuhr's Christ IS

docetic and his view of the Trinity IS Sabellian."4^ Carter sees the

reason for this "inadequate Christology" in Niebuhr's omission of sub-

stantial aspects of Jesus' life, death, and resurrection, due to which

"Niebuhr's view of Christ has no place for the Lordship of Christ" or

for the community,4؟ living m anticipation of the Kingdom under his

Lordship.44

Second, critics have noticed that Niebuhr implicitly advocates the

superiority of a single position, namely Type ٧ ("Christ the Trans-

former ofCulture"), despite his proclaimed objectivity m surveying the

spectrum and the insistence that there IS not only one correct answer to

the "enduring problem".4؟ There are several arguments to support this

charge. First, Type ٧ IS the only one which Niebuhr does not critique

at all, in contrast to extensive critiques of the first four types. Second,

the very way the types are put in order, with Type V coming at the end

leads the reader to identify themselves precisely with this position as

the most adequate 46 And third, the vagueness of the term "transfor-

mation" as Niebuhr presents It gives space for multiple interpretations.

    Jour nal o fth e S ociety

o f Christian Eth ics       

      C hrist and

Cul ture       Authent ic Transfo rmati on      

 

           

  Chris t and Cu ltur e  The Mennon ite Qu arte rly Re view     

       Rethm hm^ C hrist a nd Cultur e, 

    

    

 

 

    



      

   Ch rist a nd Cult ure  

     War and the C hristia n C ons cience,  

         

NIEBUHR'S TYPOLOGY RECONSIDERED: READING CHRIST AND CULTURE THROUGH THE LENSES

SO that it can function as an umbrella term for various views and con-

victions. As Yoder puts it:



             



   





Another common criticism points out that it is virtually impossible

to assign a certain person ٠٢ group to one of the Niebuhr's ideal-

types only. Yoder, for instance, objects strongly to Niebuhr's putting

the Mennonites in Type 1,48 whereas he would like to see them more

appropriately in Type V.49 Similarly, historians in particular have found

Niebuhr's typology "overly schematic and relatively useless" for their

work.^ One is then legitimately led to ask, what foe point of foe whole

endeavour is, if it does not facilitate a precise classification. George

Marsden offers a possible way forward in this respect. Being not too

quick to discard Niebuhr's typology but rather intent on interpreting

it constructively instead, he suggests a musical analogy of motifs in

a symphony, with one motifbeing dominant while others subordinated,

yet present nonetheless. Marsden explains:



  

   

dominant.   

    







   

   Chr ist a nd Culture  

                      

      

    

  

               

       

PAVOLBARGÁR

This IS د helpful insight for the argument of this paper as I will later

try to show that Niebuhr's typology ean be put to a good use it under-

stood in terms of mutually ^ -ex clu sive, but rather complementary

motifs, being more or less visible m various cultural activities pursued

by various individual Christians or Christian groups

The last criticism to be discussed here concerns Niebuhr's definition

of culture Several scholars pointed out that It IS undifferentiated and

vague and as such It confuses the whole issue 52 Following Bronislaw

Malinowski and his anthropological functionalism, Niebuhr under-

stands culture as

  01   

     culture    civilization

  

  

     

  



It was Yoder who argued very convincingly that such an understand-

mg of culture as basically "everything people do togethei"'^ IS not

particularly useful, showing that culture IS a much more diverse and

complex phenomenon

  

 

        

         

 

       

  

 

        



  Chr ist and Cul tiue   

   

  

                   

               

   

                     

   

         as su ch,   Us c erta in aspe cts

 ib id 



NIEBUHR s TYPOLOGY RECONSIDERED READINGCHRIST AND CULTURE THROUGH THE LENSES

  





This rather lengthy passage clearly illustrates that culture IS to be

treated with discrimination. In other words, Yoder shows that mono-

lithic understandings of culture are not productive. That IS a very

important point to keep in mind if one IS to make use of Niebuhr's

categories. His monolithic understanding of culture m Itself IS not nee-

essarily a reason for dismissing them, as Marsden argues, calling for

a "more specific and discriminating" use of the term "culture" He rea-

sons. "We always need to ask what general culture or sub-culture we

are talking about and further what specific aspect ofthat culture IS our

matter of concern "56

This IS a very important point and It can be even farther helpfully

developed through insights of Frans Wijsen. W ]sen notes that due to

modernization and globalization most societies in the world are not

"multi-cultural in the sense of a patchwork quilt or mosaic of sep-

arate pieces with hard, well-defined edges, but of a cultural mix or

cocktail."^ In practice It means that megalopolises as well as smaller

centres of urban settlements today create cultures that represent a mix-

tore of traditions and elements, including those stemming from the

reigns of religion, ethnicity, politics, arts and music, and others 58

This situation leads some scholars to ask whether It IS even legitimate

and appropriate to use the term "culture", e to speak of culture as

a clear-cut, discrete unit59 Drawing from the observations ofWim van

Binsbergen, Wijsen, therefore, suggests thinking in terms of "a plural-

lty of overlapping cultural orientations, in such a way that each person

    

   

    Ex chang e

   

 

      

  

 

                 

 

و ؟        j     o     Ehe Invent ion

Tra dition     

PAVOLBARGÁR

IS always involved in a multiplicity of such orientations at the same

time, while none of these orientations coincide with only one society

or one territory''.^ As far ba،;k as the early 1980s another Dutch mis-

siologist, Joseph Blom^us, argued that instead of inculturation It IS

much more appropriate to speak of interculturation as the latter term

much better emphasizes the fact that "the process of inculturation IS

not simply the interaction between gospel on the one hand and culture

on the other, as ؛ they represent two monolithic meaning systems, but

between multiple cultural orientations.''^*

This point IS also crucial for our discussion of Christ and Culture.

A particular person or a group does not have to necessarily fit into

a single discrete and well-defined culture, but can rather move within

a space which I would name as a "cultural in-between", a space where

numerous traditions and influences coexist, contradict and/or overlap.

Such a space IS characterized by fluidity, plurality, and complexity. In

what follows I will draw upon the notion of culture as a complexity

of multiple orientations, perspectives and affiliations which needs to

be considered when analyzing the relationships of Ch^stians to their

surrounding environment. Introducing a particular method of analy-

sis I will seek to show, in an effort not dissimilar to Marsden's, that

Niebuhr's types can "continue to be a rich resource for helping Chris-

tians think about their lelationships to ffie world."^

  

For the argument of the remaining part of this paper three observations

from ffie previous discussion will be of particular importance. First, in

line with Marsden's musical analogy Niebuhr's types are to be usefully

   0      

   Cultu ren best aan m et Re de in v erko rte vor m Ultgesproken bij de

aa nvaa rding van het a mbt van bijzo nder hoo gleraa r 'gr oncbl agen van in tercu lture le

filosof ie',  

                       

             

 African E ccl ésia l Re view          



  



NIEBUHRSTYPOLOGY RECONSIDERED READINGCHRIST AND CULTURE THROUGH THE LENSES

regarded as mutually nomexelus^e motifs. Different motifs are then

present in the thinking and praetiee of various Christian individuals ٠٢

groups, whereas one (or more) of them is at the forefront while oth-

ers play more subservient roles. Second, culture IS not to be viewed

as a monolithic system, but rather as a complexity of vaiious cultural

orientations, perspectives and affiliations. A single person or group of

people can thus belong to multiple categories, or "subcultures". More-

over, people belonging to foe same subculture on one account can be

very much at odds with regard to other cultural issues. For example,

two young males can both be IT geeks, and yet one of them IS a hip

hop fan, embracing rap music and graffiti art, while foe other identifies

with the Gothic community

And third, foere IS widespread scholarly consensus that m Christ and

Culture Niebuhr argued, albeit perhaps covertly, for transformation as

foe most adequate answer to foe "ednngpr oble m ".^ Nevertheless, It

was also noted that Niebuhr's understanding of transformation IS rather

vague and loose. In their book, Stassen, Yeager and Yoder therefore

seek to elaborate Niebuhr's conclusions and to explore what shape such

"authentic transformation" could take, and what implications It has 64

The present article also pursues a similar direction. Drawing on the

observations regarding the nature of culture as well as that ofNiebuhr's

typology It strives to introduce a means through which foe complex-

lty of foe mutually transformational relationship between Christians

and their culture(s) could be grasped in a more concrete manner.

I argue that the so-called "praxis matrix" represents a hermeneutic tool

which allows for a detailed analysis of the peculiarities of the rela-

tionships of Christians to foe world As such, It can complement foe

model suggested by Niebuhr by exploring various dimensions of foe

aforementioned "enduring problem". The praxis matrix was elabo-

rated by South African missiologists j. N. j. Kritzinger and Willem

Saayman who built upon foe work of liberation theologians in gen-

    Auth enti c Trans forma tion    

                   

                

 

    

   Aut hentic Tr ansfor matio n  



PAVOLBARGÁR

eral and social analysts Joe Holland and ?eter Henriot in particular.

Using the basic concept of Holland's and Henriot's "pastoral circle"^

Kritzinger and Saayman develop their praxis matrix^ as a hermeneutic

method "to explore the transformational praxis (theory-and-practice)

of another person or group.67״ It is a research instrument which focuses

on and seeks to explore seven interrelated dimensions, namely, foe

identification of agency, contextual understanding, ecclesial scrutiny,

interpreting foe tradition, discernment for action, reflexivity, and spir-

ituality. It can be graphically depicted as follows:^

Ecclesial

scrutiny

Interpreting

th e traditinnn

Contextual

understan ding

Spirituality

Agency,

identification isce rm e ntfor

action

Reflexivity

    S ocia l Anal ysts Linki ng Fai th an d Jus tice 

   

                D avi d j Bosch P roph etic Inte grity, Cruc iform

           

            V erbum et Ecc lesia     

  

   Da vid j Bo sch,  

   IS   Da v id    Bosch p



NIEBUHRSTYPOLOGY RECONSIDERED READINGCHRIST AND CULTURE THROUGH THE LENSES

Through an in-depth analysis of each of these dimensions with

regard to the experience or situation of the researched individual or

community a better and more comprehensive understanding is ac-

quired. There are a number of questions which might help sharpen the

exploration with regard to each of the seven dimensions. Here I briefly

 some of them.69

  Who  the ^r^co m m um ty under review? What

social, economic or class position do they have in society^ What their

sense of identity^ That  what stories do they tell about themselves^

Who are their "conversation partners"^

 What are the social, political, eco-

nomic, religious and other cultural factors that influence the society

where the ^r^co m m um ty under review lives} How do they under-

stand these factors^ Can they acknowledge their biases and interests^

How do they "read the signs of the times"?

  What place does the church play in the life

of the ^on /co m mum ty under review? How do they relate to the

church(es) active in their context? How do they relate to the global

church of Christ? What role does the history of the church(es) in that

context play in the current situation? What their view on and relation

to interfaith issues and secularism/secularization respectively?

    How does the person/community

under review interpret the Bible and Christian tradition in their context?

How do their sense of identity and agency, their contextual understand-

ing and their ecclesial scrutiny shape their own contextual theology?

What practical implications does such a contextual theology have for

relation to 

   What methods, activities or projects

does the perso^community under review employ in their effort to

implement their ideas and visions? How do they plan towards their

goals? What discernment techniques do they employ in their deliber-

ations about culture? What aims do they pursue? How do they relato

to other agents in their context? Are they willing to collaborate with

agents who do not belong to their denomination/faith tradition غ

            D avi d j Bosch,      

    

PAVOLBARGÁR

How consistent and honest is the ^rso^community

under review in their endeavours? How do they reflect on their previous

experiences? Do they learn from their mistakes and achievements? Are

they willing to modify and adjust their stances? If so, how flexible are

they in these processes? Do they make an intentional effort to be aware

of the current situation and trends in the world around them?

 What spirituality does the person/community under

review practice? Is it a s^rituality of contemplation, activism, justice,

dialog, withdrawal, etc.? What is the dominant spirituality in the given

context? What spiritualities do the other agents involved practice?

I propose the praxis matrix as a framework which is particularly

suitable to complement Niebuhr's model from Christ and Culture.

I contend the praxis matrix can be very helpful for several reasons.

First of all, it is a versatile hermeneutic device as it represents not

only an academic research tool, but also a model of practical work for

transformation in a given context. On this point, Kritzinger and Saay-

man say: "This matrix can be used to mobilise a group of committed

Christians to together for transformation in their context, but also

to explore the transformational praxis (tl^ory-and-practice) of another

person and group."™ In addition, the praxis matrix allows for consid-

ering foe experience of both individuals and communities as, again,

foe cited passage clearly shows. In this regard, it could serve particu-

larly well to fill a lacuna in Niebuhr's model which, as we have shown

above, almost completely disregards foe communal (ecclesial) aspect

of the relationship between Christians and culture. Furthermore, foe

praxis matrix enables not only foe research of other individuals and

communities, but is also suitable for self-exploration.

However, there are also other arguments in support of this model.

The praxis matrix conceives of the relationship between foe Chris-

tian(s) and culture dynamically, taking into consideration the fact that

the former at foe same time transforms and is transformed by foe latter.

In other words, such a relationship always entails a dynamic process

of mutual transformation, and the praxis matrix provides a hermeneu-

tic tool which can deal with the complexity of this process adequately.

Moreover, it gives serious attention to a multiplicity of dimensions,

   Da vid j . Bosch , 



NIEBUHRSTYPOLOGY RECONSIDERED READINGCHRIST AND CULTURE THROUGH THE LENSES

thus underfilling the necessity to consider seriously the complexities

of human - and particularly Christian-relationship to culture Never-

theless, this multiplicity IS approached through a series of well-focused

and specific steps. As a result, the approach to the "enduring prob-

lem" by way of the praxis matrix discourages vague answers, but l'athei

strives to offer a clear and concrete picture which can, at the same time,

be comprehensive as It allows for a plurality of perspectives.

Let us now consider one particular example of how the use of

the praxis matrix can complement an analysis provided by Niebuhr's

model. In order to show that Niebuhr's types are still helpful, espe-

cially if understood in terms of simultaneously present dominant and

subservient motifs, Marsden takes the case of fundamentalist / post-

fundamentalist evangelicalism in the us context.^ As for Niebuhr

himself, he unhesitantly assigned "Fundamentalism" to Type II due

to Its "greater concern for conserving the cosmological and biological

notions of older cultures than for the Lordship of Jesus Christ"^, while

disregarding the obvious countercultural stance of these Christians on

many issues. Marsden, on the contrary, argues that all five motifs

are to be found in fundamentalism to a greater or lesser degree On

various occasions, fundamentalists thus not only blend American patri-

otism or even nationalism with "the cause of Christ" (Type II), but also

often radically oppose many dimensions of contemporary American

culture (Type I), christen their fundamentally entrepreneurial lifestyle

and worldview (Type III), strictly distinguish spiritual issues from

"worldly" ones (Type IV), and try to transform their culture and society

using various means, including political ones (Type ٧) 73

Although Marsden does not explicitly refer to the SIX categories

elaborated by Yeager on the basis ofNiebuhr's own analysis, his obser-

vations are very much in that line. For instance, when Marsden points

out that fundamentalists often interpret America as either New Israel

or New Babylon (or both at foe same time, depending on their frame

of reference), he IS focusing on what Yeager defines as views of his-

tory Similarly, Marsden's remarks on fundamentalists' efforts to add

spiritual dimensions to foe "business IS business" attitude belong to

    

   Chr ist and Cult ure  

                   



PAVOLBARGÁR

the category of nature and grace. The remaining categories can be

helpfully employed to provide additional insights on Marsden's case.

For example, the category of reason and revelation might shed more

light on the dialectics between fandamentalists' insistence on the Bible

being the sole source of authority and their (c)overt rationalism with

regard to more mundane matters, such as business, suggesting an affil-

iation of fundamentalist Christianity with Type IV, or possibly Type

I. Likewise, the category of law and gospel can be explored with

respect to fundamentalists' stance on various dimensions of culture,

including politics and lawmaking.

Let us now read Niebuhr's typology through the lenses of the praxis

matrix to pursue a more detailed and concrete analysis of ^ r s d en 's

case. In particular, considering the dimension of agency can help

understand the identity of fandamentalists vis-à-vis other individu-

als/groups within the American society. Exploring the aspect of con-

textual understanding makes one more sensitive to religious, social,

economic and political factors which influence both fandamentalists

themselves and the society in which they live. Ecclésial scrutiny,

in turn, shows not only how fundamentalists view church, but also

what their relationship is to other Christian (and, for that matter, non-

Christian) communities in the common pursuit of missio Dei. Simi-

larly, the dimension of interpreting the tradition offers a closer look

at hermeneutical/exegetical and theological endeavours undertaken by

fundamentalists in their specific contexts. While the "discernment

for action" dimension explores both strategies and particular projects

through which fundamentalists strive to implement their ideas and

visions regarding the relationship between the gospel and culture, the

aspect of reflexivity seeks to attain a certain meta-level by considering

fundamentalists' own reflections on their experiences, achievements

and/or failures. Finally, the dimension of spirituality tries to investigate

the very root and source of their faith which motivates their thoughts

and actions vis-à-vis cultural trends in the American society.

It has now hopefully become clear that Niebuhr's model is helpful

in identifying core theological issues and basic frames or reference,

while the complementary use of the praxis matrix informs a detailed

analysis of particular contexts in an effort to explore various modes of

 between Christians and 



NIEBUHRSTYPOLOGY RECONSIDERED READINGCHRIST AND CULTURE THROUGH THE LENSES

   

In her famous study Kathryn Tanner interprets Niebuhr's ،;oneern !n

Christ and Culture a^ a "worry about Christianity's simple submersion

in the culture of the day and about the loss thereby of the distinc-

tiveness of Its message."™ Based on this conclusion Tanner identifies

a major task of the theologian as "to determine the shape theology

should take in light of historical developments in the modern West so

as to further Christianity's positive contribution to the future ofWest-

ern culture."^ While Tanner'؟ as؟e؟؟ment ofNiebuhr's contribution IS

admittedly one-sided and her Eurocentric focus IS simply striking and

hardly adequate for the present era ofWorld Christianity, she points out

an important and still valid contribution Niebuhr makes to the theology

of culture-

As we have seen above, Gordon Eynch perceives this issue simi-

larly, albeit his assessment IS somewhat more critical than Tanner's

"Niebuhr's typology IS very useful in identifying core issues and dif-

ferent perspectives in the theology of culture, but It IS of limited use

however ص helping us to think in detail about how a dialogue between

theological norms and popular culture might be conducted."™ Conse-

quently. Lynch introduces a scheme through which Niebuhr's model

"can usefully be supplemented by an understanding of four different

ways m which a dialogue between theological tradition and popular

culture might be conducted."™

The present article has pursued a similar objective It took the posi-

tion that Niebuhr's typology IS, despite ample criticisms which ought

to be taken with the utmost seriousness, still useful and suggestive. In

the words of George Marsden, Niebuhr's categories which aim to grasp

and make sense of the plurality of Christian responses to the "world"

can be "saved".78

 T heor ies of Cu ltur e A N ew Ag end afor The ology  

     

 T heories ofC ultu re,  

   Understan ding T heol ogy and Popu lar C ultu re  

  Unde rstan ding Theo logy a nd Pop ula r C ulture ,    

  

      

   

PAVOLBARGÁR

Nevertheless, It requires ه rigorous reconsideration and a creative

approach. Such an endeavour then entails different steps and strate-

gies. In this article two of them were ^ ticularly emphasized. First,

Niebuhr's model is not to be perceived as a taxonomy of clear-cut

and mutually exclusive categories, but rather as a dynamic interplay

of dominant and subservient motifs. In practice it means that individ-

ual Christians ٠٢ Christian communities do not unambiguously belong

to a single category only, but to a various degree show traits of different

types at the same time.

Second, this paper has argued that culture is not to be understood

as a monolithic and self-enclosed entity, existing alongside other such

entities. Instead, it has pleaded for an understanding which con-

ceives of culture as a plurality of divergent, overlapping, and at times

even conflicting orientations, perspectives, and affiliations. One then

belongs to and lives within a multiverse of culture, constantly crossing

the imaginary boundaries.

It is clear that these observations need to have an impact on the

way in which one employs Niebuhr's model. I agree with Lynch

that Niebuhr's typology remains to be a preeminent method to iden-

tify core issues and perspectives, especially if sharpened by additional

categories which Niebuhr implied, and Yeager and Ottati further elab-

orated in a more explicit way. However, one also needs to take

seriously Lynch's objection that Niebuhr's model is less helpful in

pursuing detailed research into particular ways in which Christians

relate to culture. The argument and contribution of this article has

been that Niebuhr's model can be complemented by using the praxis

matrix as a hermeneutic device which enables a more comprehen-

sive and nuanced understanding of the relationship of Christians to

and engagement with their particular culture. Such an approach can

help address and possibly resolve some of the criticisms that Niebuhr's

models have been charged with. In particular, the following issues

can be mentioned. First, the use of the praxis matrix as a comple-

mentary analytical tool can correct the vagueness of the concept of

transformation that Niebuhr's model is prone to by exploring primar-

ily (but not exclusively) the dimensions of discernment for action,

contextual understanding, agency, and reflexivity in detail. Second,

the praxis matrix is capable of overcoming the individualistic bias of



NIEBUHRSTYPOLOGY RECONSIDERED READINGCHRIST AND CULTURE THROUGH THE LENSES

Niebuhr's model as It allows for an analysis foeused on communal

aspects ot the researched subject Third, the comprehensive frame-

work of the praxis matrix has a potential to deepen what has been

viewed by some as Niebuhr's inadequate Christology. Christological

issues can be fruitfully addressed through the lenses of (again, primar-

lly but not exclusively) the dimensions of interpreting the tradition,

ecclesial scrutiny, spirituality, agency, and reflexivity. And with refer-

ence to Wijsen's insights discussed above, one can add that, fourth, the

approach introduced m this paper revises and sharpens the admittedly

vague concept of culture as maintained by Niebuhr.

In an effort analogous to those of Lynch and Tanner, then, the present

article has sought to establish and introduce a hermeneutical frame-

work for a theology of culture which would draw upon foe strengths of

Niebuhr's model that remains relevant even today, while, at foe same

time, overcoming Its weaknesses It was furthei argued that foe praxis

matrix, being a versatile hermeneutical tool and taking a dynamic inter-

play between various dimensions into account, represents a suitable

method to complement Niebuhr's model in pursuing a theology of cul-

ture which might be of interest for a number of reasons First, tt IS

contextually relevant as the praxis matrix with Its focus on various

dimensions, such as agency, tradition, church community, reflexiv-

lty or spirituality, considers pop ularities and complexities of a given

context with utmost seriousness Second, thanks to a variety ot angles

and perspectives from which the praxis matrix pursues Its explorations.

It IS flexible to focus on various issues. Such a theology of culture can

thus embrace Niebuhr's all-inclusive notion of culture without having

to compromise clarity and concreteness in Its analysis and conclusions.

And third, tt IS ecumenically open in Its constructively critical approach

towards any and all Christian traditions and communities.

The proposal presented in this paper has potentially relevant impli-

cations for Christian theology today. First of all, as Christianity IS

increasingly emerging as a truly world religion, and not merely one of

European provenience imported globally, such approaches are needed

that would take into serious consideration multiple perspectives and

traditions as well as their manifold encounters of different kinds. The

approach I have introduced has foe potential to stand up to this expec-

tation. Moreover, tt can be helpful for theological reflection due to Its



PAVOLBABGÄB

emphasis on both traditional loci theologici, as maintained by Niebuhr

in his typology (reason and revelation, sin and the good, law and

gospel, and nature and grace) and his more recent interpreters such as

Yeager and Ottati (views of history, and church and world), and contex-

tual explorations pursued by the praxis matrix. Furthermore, with its

emphasis on both rigorous analysis and praxis (theory-and-practice),

this approach strives to bridge the gap between the academic world and

the grassroots - admittedly one of the ma)or challenges Christianity

needs to face today.

In conclusion it can, therefore, be said that Niebuhr's model is still

useful today, especially if complemented by stimulating and construe-

tive hermeneutical methods such as the praxis matrix. It can then seek

to establish a framework for a theology of culture which will make

a relevant and constructive contribution "to interpreting and crit^uing

cultural values and practices"^ from a Christian perspective, ٠ ٢ - in

Niebuhr's words - to giving ever more ade^ate answers to foe "endur-

ing problem" of the relationship between Christians and 

 This paper revisits the famous typology outlining possi-

ble relationships of Christians to culture, as outlined by H. Richard

Niebuhr in his Christ ﺲﺤﻣ Culture. It seeks to draw upon some partie-

ular insights from the critical discussion in order to propose a con-

structive application of Niebuhr's categories in today's theology of

culture. Contending that Niebuhr's typology is best understood in

terms of mutually non-exclusive motifs and that culture is to be per-

ceived as a web of multiple perspectives and orientations, the article

argues for the use of foe so-called praxis matrix as a complementary

method which enables one to get a more comprehensive and nuanced

understanding of Christians' relationship to and engagement with their

particular culture(s). As such, it aims to establish a hermeneutical

framework for a theology of culture which would be contextually rele-

  open, and flexible to deal with various 

Keywords: H. Richard Niebuhr - Christ and Culture - Christianity ·

culture ־ praxis matrix - theology of culture

  U nderst andin g T heol ogy and Popular Cu lture   





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  • Pavol Bargar Pavol Bargar

This article argues that narrativity has the potential to be a key hermeneutical concept in ecumenical theology. Instead of pursuing a complex elaboration of the notion, it will seek to explore various aspects of narrativity. The thesis will be explicated in three major steps, consecutively discussing culture as the general setting of narrativity, explicating narrativity as a concept that can helpfully address some of the major issues in ecumenical theology and proposing transformation as the ultimate horizon of the faith and practice of the Christian koinonia.

  • Darryl Trimiew Darryl Trimiew

Christ and Culture remains a useful heuristic device for discerning and interpreting the process of struggle and change produced by the attempts of the church to minister to the world. It is also helpful for ecclesial self-evaluations. While its typologies are conceptually imperfect, they can be used, nevertheless, to disclose important changes in society and within denominations. These attributes can and do help to facilitate the African American church's ongoing liberation efforts and therefore, hopefully, the flourishing of African American communities.

  • D.M. Yeager

Accepting James Gustafson's recent argument that right reading and valid criticism of H. R. Niebuhr's Christ and Culture must begin with an informed understanding of Niebuhr's utilization of the ideal-typical method, the author reviews characteristics of Weberian typologies and discusses the levels of criticism to which typologies are legitimately subject. Right appreciation of the text's genre exposes many criticisms of Christ and Culture to be misguided, but it also throws into relief those features of the text that cannot be accounted for by that method, revealing the complexity of a text that advances both a comparative descriptive analysis and a bold theological argument. Recognition of this tension prompts the question whether the one so compromises or constrains the other that the enterprise does, indeed, fail as a whole, even though it remains intensely interesting in all its parts.

  • Glen H. Stassen

In The Kingdom of God in America, H. Richard Niebuhr argued that three dimensions are crucial for transformative faith: the sovereignty of God over all; the independence of the living God from captivity to human ideologies or institutions; and a revolutionary strategy with particular normative content from God's self-revelation in Jesus Christ. Without the historically particular content of the way of Jesus, Christian faith has a vacuum only too eagerly filled by alien ideologies. Hence Niebuhr begins Christ and Culture with a historically particular and concrete understanding of the way of Jesus Christ, and evaluates the five types with this three-dimensional standard. The puzzle is that the farther the book goes, the thinner Jesus becomes, until the concluding chapter backs off from evaluation. Niebuhr moved back to his more Christocentric ethics before he died, and thus recovered his prophetic edge. To learn from Niebuhr's history and teach a transformative faith not accommodated to ideologies of injustice, ethics needs to recover a thicker Jesus. Helpful resources are emerging from which Christian ethicists can draw rich help: the third quest of the historical Jesus, new exegetical and canonical approaches, the new emphasis on normative practices, historically situated narrative ethics, and some models by Christian ethicists, all of which point to a thicker, richer, historically particular way of Jesus in the prophetic tradition of Israel.

  • Douglas F. Ottati

This essay argues that H. Richard Niebuhr's classic book, Christ and Culture, is best understood as a typology of moral theologies. Each of Niebuhr's five types may be regarded as a patterned resolution of four theological relations: reason and revelation, God and world, sin and goodness, and law and gospel. Many of his evaluative comments reflect his preference for what he calls a transformationist or conversionist pattern. However, it is not difficult to imagine evaluative comments on the several types, including the transformationist one, made from the perspective of a different preferred resolution of the four theological relations. Moreover, Niebuhr's scheme remains useful for analyzing more recent texts in theological ethics, such as Gustavo Gutierrez's A Theology of Liberation. Thus, while the book is not without its flaws and while readers may wish to enter some emendations and revisions, Christ and Culture is still worth reading because the categories it presents for analyzing moral theologies remain unsurpassed in their richness, usefulness, and suggestiveness.

  • John P. Burgess

WESTERN SCHOLARS HAVE POINTED OUT BOTH THE USEFULNESS AND limitations of H. Richard Niebuhr's Christ and Culture. This essay relates Niebuhr's five types to discussions of church and culture in contemporary Russian Orthodoxy. I propose a sixth type, Christ in culture, that best illuminates the Church's current program of votserkovlenie ("in-churching").To its Russian representatives, "Christ in culture" enabled the Christian faith to survive communist efforts to destroy the Church, and this cultural legacy continues to define Russia's national identity today. The Church's task, therefore, is not to convert Russians but rather to call them back to their historic self-understanding by means of historical commemoration, religious education, and social outreach. The essay critically evaluates this program of in-churching and the possibilities of a Christ-in-culture type for understanding distinctive features of historically Christian cultures in both East and West.